Master Classes

Diablo Ballet School will offer a variety of classes in technique and subjects other than ballet throughout the school year and Summer Intensives. These master classes are designed to enrich ballet training and help foster a well-rounded and versatile student.

Upcoming Master Classes:

Joanna Berman – Winter 2019
A Master class in Technique offered by former principal dancer at San Francisco Ballet, Joanna Berman

Joanna Berman was one of the most celebrated members of San Francisco Ballet and a principal dancer from 1984-2002 dancing the leading roles in Giselle, Swan Lake, The Sleeping Beautyand Romeo & Julietin addition to numerous contemporary and classical works. She is in demand as a teacher, guest teacher and repeteur for a number of ballet companies across the world. Ms. Berman has been staging and coaching ballets for Diablo Ballet since 1996.
“Excellent training is essential for a professional career in ballet. I’m thrilled that Diablo Ballet School will be providing such training to young dancers in the East Bay.” – Joanna Berman.

Julia Adam

Julia Adam – Spring 2020
A Master class in Choreography offered by master choreographer and former principal dancer at San Francisco Ballet, Julia Adam

Julia Adam was a member of San Francisco Ballet and principal dancer from 1988-2002. She has created over 70 works for numerous companies including San Francisco Ballet, The National Ballet of Canada, Houston Ballet, The Joffrey Ballet, ABT 2, Alberta Ballet, Oregon Ballet Theater, Atlanta Ballet, Nashville Ballet. For Diablo Ballet, Ms. Adam created Once Upon a Time, which premiered last March and this November, she will be creating a World Premiere holiday story ballet for the company.



Sandy JenningsSandra Jennings – Spring 2020
A Master class in Balanchine Technique offered by Balanchine Repeteur, Sandra Jennings.

At the age of thirteen, Sandra Jennings, received a Ford Foundation scholarship to the School of American Ballet in New York. In 1974, she was asked by Balanchine to join New York City Ballet where she worked with him for the next nine years and danced an enormous repertoire that included principal and solo roles in many Balanchine and Jerome Robbins ballets. In 1985, Ms. Jennings began staging ballets by Balanchine and since then has worked for various companies in the United States as well as abroad in her capacity as ballet-mistress and coach.

Plus additional classes on:

Injury Prevention – Presented by Diablo Ballet’s Physician, Dr. Selina Shah
Pas de Deux – Learn the art of Pas de Deux with Diablo Ballet’s male dancers who have partnered some of the most prolific ballerinas of our time.
Anatomy for Dancers – Presented by Diablo Ballet’s Physical Therapist, Meghann Oakes Rust
Like a musician has their instrument and a painter has their brushes and canvas, a dancer has their body as their primary tool for expression. This class is a lecture-lab series designed to help the dancer understand their body and how to safely and effectively activate their muscles to achieve proper ballet technique. By the end of the class, the dancer will be able to identify the correct muscles to be used for turnout, pointing the foot, and port de bras. The dancer will not only learn strengthening exercises to target these muscles but, more importantly, how to apply their new strength in a ballet class.

Other classes that may be offered throughout the year:

Young Men’s Class
Character Dance
Creative Dance

Please note that master classes are additional classroom hours and therefore carry an additional cost.